Haris Lambert
Twelve Hours I-IV
A days fog – Diptych
The residue that remains as a memory of contact – aquarelles
Plateau II
Quebra diptych
Birds and micros
Star System For New Purposes (Your Rodchenko in my Bauhaus)
Titles For Works (Jello Revisited)

In his purely artistic works, Lambert did not choose to follow fashion, either in France, where he studied, lived for eleven years, or in Japan, where he lived for as long. In 1981 he presented his own “New Pop Art” in Paris, with painted images drawn from the rapid interpenetration of cinema and television shots, combined with details from advertising, “fashion” photography, and computer graphics, “cine-romances”, and aspects of a diffuse eudemonism. 

solo exhibitions

Twelve Hours

Twelve Hours

Stones, Politics

Stones, Politics

Re-locating the Thrills

Re-locating the Thrills
Lambert Haris (1955 – 2018) studied painting at the London University and at the Ecole Nationale des Beaux Arts, in Paris. Parallel to painting and during his 11-year stay in Japan (1985-1996), he collaborated with Japanese companies, as well as with the Japanese television, where he worked as a film director. He was one of the main representatives of Pop Art in Greece. After returning to Greece in 1996, he divided his time between Athens and Tokyo.