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Exhibitions
: Iannis Ganas "Against the Sky" 04/05 - 04/06/2009 |
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Άποψη Έκθεσης Exhibition View |
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.jpg','Άποψη Έκθεσης<br>Exhibition View') "Άποψη Έκθεσης<br>Exhibition View") | .jpg','Άποψη Έκθεσης<br>Exhibition View') "Άποψη Έκθεσης<br>Exhibition View") | .jpg','“Τοπίο σε αναμονή I”, 2009, ακρυλικά σε ξύλο, 112 Χ 200 εκ.<br>“Landscape on hold I”, 2009, acrylic on wood, 112 X 200 cm') "“Τοπίο σε αναμονή I”, 2009, ακρυλικά σε ξύλο, 112 Χ 200 εκ.<br>“Landscape on hold I”, 2009, acrylic on wood, 112 X 200 cm") | .jpg','“Τοπίο σε αναμονή II”, 2009, ακρυλικά σε ξύλο, 112 Χ 200 εκ.<br>“Landscape on hold II”, 2009, acrylic on wood, 112 X 200 cm') "“Τοπίο σε αναμονή II”, 2009, ακρυλικά σε ξύλο, 112 Χ 200 εκ.<br>“Landscape on hold II”, 2009, acrylic on wood, 112 X 200 cm") | .jpg','“No 1”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 1”, 2009, ink on paper, 60 X 80 cm') "“No 1”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 1”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 2”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 2”, 2009, ink on paper, 60 X 80 cm') "“No 2”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 2”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 3”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 3”, 2009, ink on paper, 60 X 80 cm') "“No 3”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 3”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 4”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 4”, 2009, ink on paper, 60 X 80 cm') "“No 4”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 4”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 5”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 5”, 2009, ink on paper, 60 X 80 cm') "“No 5”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 5”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 6”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 6”, 2009, ink on paper, 60 X 80 cm') "“No 6”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 6”, 2009, ink on paper, 60 X 80 cm") | .jpg','“No 7”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 7”, 2009, ink on paper, 60 X 80 cm') "“No 7”, 2009, μελάνι σε χαρτί, 60 Χ 80 εκ.<br>“No 7”, 2009, ink on paper, 60 X 80 cm") | .jpg','“Στόχαστρο I”, 2009, ακρυλικά σε αλουμίνιο, διάμετρος 32 εκ.<br>“Crosshair I”, 2009, acrylic on aluminium, diameter 32 cm') "“Στόχαστρο I”, 2009, ακρυλικά σε αλουμίνιο, διάμετρος 32 εκ.<br>“Crosshair I”, 2009, acrylic on aluminium, diameter 32 cm") | .jpg','“Στόχαστρο II”, 2009, ακρυλικά σε αλουμίνιο, διάμετρος 32 εκ.<br>“Crosshair II”, 2009, acrylic on aluminium, diameter 32 cm') "“Στόχαστρο II”, 2009, ακρυλικά σε αλουμίνιο, διάμετρος 32 εκ.<br>“Crosshair II”, 2009, acrylic on aluminium, diameter 32 cm") | .jpg','“Δύο και σαράντα με δύο και σαράντα πέντε το πρωί”, 2009, βίντεο, διάρκεια: 5 λεπτά, στιγμιότυπο<br>“Between two forty and two forty five in the morning”, 2009, video, duration: 5 minutes, video still') "“Δύο και σαράντα με δύο και σαράντα πέντε το πρωί”, 2009, βίντεο, διάρκεια: 5 λεπτά, στιγμιότυπο<br>“Between two forty and two forty five in the morning”, 2009, video, duration: 5 minutes, video still") |
| Iannis Ganas Against the Sky 04/05 - 04/06/2009 Iannis Ganas presents his first solo exhibition at a.antonopoulou.art gallery. The opening of the exhibition will take place on May 4th, 2009. Iannis Ganas has graduated from the Athens School of Fine Arts in 2004 and is well-known for his large scale murals (Hotel Periscope 1&2) as well as for his site specific works. His work is not characterized at all by one medium, a specific technique or a method of approach, but it is characterized by a starting point, the concept, which also defines the means that are going to be used. The representation of the image, the shadow of the objects, as a proof of their presence, is stronger than their material presence, because it contains the element of time and the intervention of the light, which are his main tools. The exhibition is consisted by three parts. A series of drawings, a video and some paintings. The first part is a series of drawings. Their theme borrows elements from the great amount of destruction scenes, which bombards us daily through the mass media. War lines, air tragedies and terrorists attacks in combination with the technical hysteria and the pseudo historical and monumental dimension of the domain of modelism. Two great landscapes come next with acrylic colours in different intensities from mat to glossy textures, which borrow their frame from the “landscapes on hold” created by the steady cameras that the reporters leave behind, before they abandon a city that is about to be bombarded with the purpose of reporting everything that is about to happen. The third part is a video installation about the psychological escalation of insomnia, another pending situation from a different point of view. ►Read the exhibition text written by Leonidas Liambeys. |
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